Yeats on this topic and discuss commonalities shared by romantic and modern artists concerning the significance of language, based on Coleridge’s concept of “organic unity.” We will review the writings of Andrei Bely and W. A leader of the romantic movement, Coleridge was famous for his theories of language and its importance in drama.īefore considering the aesthetic values of silence, we will first examine some of the conspicuous positions of language in the romantic age and the importance of poetic language both in romanticism, where it was empowered by imagination, and in symbolism. This is especially clear in the work of Harold Pinter (1930–2008), the twentieth-century British dramatist known for his so-called comedies of menace, and especially his play The Dumb Waiter, which we will examine through the aesthetic theories of the English poet, critic, and philosopher Samuel Taylor Coleridge (1772–1834). That is to say, the techniques used to unveil the disguised beauty of romantic drama still exist in modern drama. The radical metamorphosis over time of the poetic language of drama and its modern mutation to nonpoetic language and ultimately silence, in such forms as pauses, have not reduced the aesthetic values of language. The inspiring, sublime, and dynamic language of drama revealed the unspoken and unseen realities in the society and the world to the audiences of the romantic age. The importance of music and its impact on language in this era was so great that poets preferred to choose poetic language-or, better, living language-as the language of drama. Drama is a genre that allowed, and continues to allow, dramatists to reach both goals.įor instance in romanticism, we witness an elevated language that breaks the boundaries and creates a kind of bliss and ecstasy in readers. The artistic usage of language has usually glorified its poetic form to give readers pleasure and sometimes to fulfill the artists’ didactic aims. For our purposes here, aesthetics means the use of language in accordance with people’s tastes and in line with social and cultural causes. In different periods, writers, poets, dramatists, and artists in general have always tried to use language in a way that maintains its aesthetic form. It is the most powerful instrument of creation enabling us to communicate and connect with the outer world. Language as a means of communication has always been shaped by different circumstances.
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